Thursday 31 October 2013

Unaware

Unaware

Behind the lies
You carry on
Unaware of the destruction
That follows.

Behind the manipulation
You carry on
Unaware of the trust
You are breaking.

Behind the cheating
You carry on
Unaware of the pain
You scatter
Like confetti at a wedding.

When a line is drawn
You cross it
And ask
"Why do you turn away?"

Is it any wonder?
Is it a mystery?
To anyone else, no
To you an enigma.

Wednesday 30 October 2013

Evening

Evening

With a glass of wine
Or a bottle of beer.
Alone
Or with friends.
You spend it.

Watching TV
Down the pub
Reading a book
Or playing videos games.
You spend it.

Online
or off.
In the bedroom
Or the kitchen.
You spend it.

It is dark
with the cusp of light.
It shimmers with silver
And winks with a shiver.
Blue
Or black
It is there.
Evening.

Tuesday 29 October 2013

Love

Love

It is warm 
and secure.

It is joy
and happiness.

It is a smile
and a laugh.

It is a bird that
will not stop flying.

It is an ocean
that will not stop waving.

It is a sun that
will not stop shining.

It is a star that
never stops twinkling.

It is everything
and anything.

It is hard to put into words
yet it is easy to do.

We know what it is.
We just can't say it.

Monday 28 October 2013

Family

Family

They support you
Tell you the truth
Let you know
When you're wrong.

They may not
Always appear kind
But with good intentions
They mean well.

They put on face
And make nice
To make you feel good
About just one choice.

No matter what
Through good or bad
They've got your back
Unless you cross the line
Too far.

There til the end
They suffer just like you
Together.

Sunday 27 October 2013

15,000

I finally hit 15,000 words. Now, I'm going to aim for a minimum of 70,000 words, which means I'm not quite a quarter of the way there.

But a lot of changes have happened so far.

Rhodes is talking a hell of a lot more in the second draft.
The crew of Valhalla find Dixon and Murphy aboard Aries.
It isn't Dixon and a few others that take the ship, but somebody else.
I have to write more Dixon scenes.
He needs a first name.
Aries has a layout.
There is no station, but there is a mysterious energy field in the middle of space.
Aries had the EMP on board - unknowingly.

Just a couple of things to let you know about. But yeah. There's been quite a few changes and trying to go back to my first draft, link it in, add scenes, subtract scenes and such, it ain't easy.

Happy Writing.

Birds

Birds

High they fly
Free to roam
Up in the sky
With wings of chrome.

Across sea tops
The spray of foam
Across their beaks
Travel far
With no boundaries.

Wings
Feathers
Beaks

They fly
With no limit
No restriction
Wandering forever
Until they fancy
A place to sit.

Friday 25 October 2013

War

War

When we think of war
We think of guns
Soldiers killing
People screaming.

When we think of war
We think of missiles
Large bombs that take
the lives of many at once.

When we think of war
We think of the Men and Women
With families waiting
for them to come home safely.

When we think of war
We think of the injured
Amputees
And PTSD.

When we think of war
We forget the children
In the middle
Running and hiding.

When we think of war
We forget the tears
that they shed.
Not us.

When we think of war
We forget there's two sides.
Forget the country
we're helping to destroy.

When we think of war
we forget the many lives
that don't have names.
The helpless.
The forgotten.

Thursday 24 October 2013

Beauty

Beauty

Beauty is a budding rose
Every sunrise and sunset
A smile on a child's face
Undeniable love for another
The warmth that fills 
You up with just one look.

Beauty is a rainbow
Emblazoning the sky
A tranquil forest that
Utters nothing or just whispers
The feeling of belonging
Yet of being a stranger.

Beauty is a sparkling lake
Everlasting and forever
An innocent face
Untraceable kindness
True love and
Yearning to forever hold.

Wednesday 23 October 2013

Peace

Peace

Quiet
Serene
Calm
Peace

Truce
Friends
Pacts
Peace

Two fingers
A smile
A friendly gesture
Peace

An end to pain
An end to suffering
An end to war
Peace

Tuesday 22 October 2013

Secrets

Secrets

Hush
Don't speak
Don't think
Just listen
close your mouth
do not tell.

I have a secret.

Little words
Big emotions
Held on close
Never to let go
Sharing
is one big step
To letting go

Hush
Finger to your lips
Mouth zipped closed
Forget the world
And keep this close
I
have a secret.

Monday 21 October 2013

Planning

NaNoWriMo is just over a week away and I have decided to enter it. No matter how little sense it may make due to all the stuff already happening in my life. But I have done a little bit of preparation. 

Now, when I make notes to do with my story as I go I prefer to do it on plain A4 paper, so why not use an A4 sketchpad for it? The first thing I see when I open the sketch book is this:


A target sheet. When I reach 4,000 words I cross of that box or make it pretty knowing I've gotten that far. We all know that the challenge only asks for 50,000 words but I am pushing myself to 65,000 words, which is why it says it on that piece of paper. 

A big daunting number. A bigger and more daunting number than 50,000 words. 

The second page into the sketchbook contains this:



I did a few notes on the history of the world, at least a few thoughts that came to mind that seemed important. But this is all the planning I am doing. 

And to let you guys know, it's an urban fantasy story (For now at least. May suddenly decide to do a science fiction story at the last minute :P) But yeah. For now, this is all. Even if I did change to do the science fiction story I would still aim for 65,000 words. 

Happy Writing. 

Time

Time

Tick tock
goes the clock
Forward
Back
Forever counting
Second
after second
Minute
after minute
Hour
after hour

Falling
grains of sand
count down

But to what?
Love
Life
Growth
End of a test
Death

Tock
Tick

Sunday 20 October 2013

Challenge Accepted

November is going to be the time where I convince myself that I had good intentions at the start of it. The end of that month will be different matter altogether. I shall be curled up, sobbing, banging my head on the wall, the desk, the floor, begging for the words to disappear.

*cough cough*

What I mean is that on top of the three writing projects I have going I am going to undertake a fourth one (inhale) with hopes that I manage to finish it in time for day 30. (exhale)

It's gonna be a tough month but fingers crossed I'll reach that deadline.

Happy Writing.

Home

It's been a couple of days since I've done a 30 second poem, but, here I am with another. Enjoy.

Home

Warm to the heart
and a comforting cell
It cradles me
whilst I sleep
Holds me
when the day is grey
So much to do
in such a little space
Every rearrangement
a rejuvenating look
These four walls stand strong
even when I am weak
Forever there
when you are not.

Thursday 17 October 2013

Creation

Creation

From dust
From ash
From nothing but air
A new form rises
takes a breath
and opens its eyes
It lives
Talks
Walks
Explores
Hands begin to feel
Nose begins to smell
Everything is new once more
A mystery
To discover

Wednesday 16 October 2013

Possible NaNo

Okay. Everybody is talking about NaNoWriMo prep as you know, November is right around the corner. My Twitter feed is full of authors, writers, regular everyday people talking about preparing for NaNo and what kind of person they are.

You see, there are two kinds of NaNo-ers... (Yeah that's a phrase now) Pantsers. Planners. 

Planners speaks for itself. It's the people who spend a discernible amount of time, be that a month, a day, several months, all year, the week before NaNo, planning and plotting their characters and stories.

Pantsers on the other hand is a phrase I hadn't heard of until a couple of days ago. These are the kind of people who have no idea what they're doing. They go into November with no idea, maybe an inkling, maybe the name of a character, and they go from there.

So. Which one am I? I am a PANTSER. And I'm not even guilty about that. I'm still unsure as to whether or not I want to participate as I already have a lot of stuff going on. Do I really want to add the trouble of 1,667 words a day to that?

But... I have a summary for a story. Science Fiction story. Here ya go:

2058. Hundreds disappeared from around the country. 261 years later one returned.

That is my planning, along with a character whose first name begins with a J. Some days he's a Jason, others a Jacob. Maybe even a James or John. Jack? I dunno. It's a J. Maybe I should just call him J from now on. 

But if I am going to take part, it'll be a last minute decision and I'll be having the mantra of 'Fuck, fuck, fuck' going around my head for the month. 

Happy Writing. 

Absence

Absence

One hole
long ago uncovered
Empty
A smile used to sit there
A laugh would rest there
Now they are missing
gone
When they ran
something ran with them
Like a pond with no ducks
A sky with no birds
A field with no mouse
There is something missing
A longing
left unsatisfied
Nothing
but emptiness left behind


Tuesday 15 October 2013

30 seconds

At least once a week, every Tuesday, or even everyday, I am going to submit a poem I have created in 30 seconds.

Yes.

A poem that took me 30 seconds or less.

I shall pull a list of themes or prompts to inspire these small 30 second bursts but here is one for today. Enjoy:

I breathe

There is no sun
Only rain
The warmth is gone
The cold, it bites
Yet still I breathe.
Everybody is gone.
I am alone. 
My heart quivers
   shakes
   whimpers
   stutters.
    And stops.
Yet still I breathe. 
The darkness comes
The light goes
Sounds stop
There is nothing
Yet still, 
   I breathe.
_______

Any comments much loved.

Happy Writing. 

Wednesday 9 October 2013

Boarding Aries 2nd draft

I decided it was time to give you guys a little more of my second draft. The section I am going to show, as shown in the title, will be the point in which the crew of Valhalla board Aries.

First Draft:
Charlie held back her frustration. Even Torres couldn’t get any information on the layout of Aries. Sokoloff and Zach were busy preparing the ships emergency docking system, a panel that opened up on the side of Valhalla to allow an emergency walkway between the two airlocks. In the meantime she had Torres looking through the database to try to find any word about Aries and who deleted the information that would help them.
    “Sorry Captain,” the Irish man spoke, pushing the screen away from himself. “Whoever did it has the best clearance and removal systems. Sorry.”
    “Don’t worry, you just get ready.” The man nodded and moved towards the door of the bridge. Charlie turned to her pilots and nodded, eyes fixed on the ship before them, “Let’s dock and find out what the hell is going on.”
    “Aye Captain,” both pilots muttered.


Charlie let nothing but her breathing invade her hearing. The lurching of the ship let her know that it had docked with Aries. Once the green light by the door let her know that the air had been pumped full of oxygen she let other sounds invade her senses. “McCallister! With me, Garrison and Torres, Rhodes and Nelson, Eliot and Hunter bring up the rear! On me!”
    She let the air fill the airlock for a little longer before she opened the door, letting McCallister stamp through first, rifle raised. She followed him, swinging her gun to the left of the airlock. Light footsteps behind told her Garrison and Torres were close behind. She and McCallister made it to Aries’ airlock and paused, waiting for Hunter and Eliot to close the airlock to their own ship. McCallister opened the door and Charlie swept through it first, going to the right whilst he crossed to the left. They swept through a few feet before stopping at the interior door that led to the innards of the ship. A small window in the door told Charlie that there wasn’t anybody nearby.
    The sound of the airlock closing let her know to carry on. “Everybody, cameras and microphones on.” People shuffled as they followed orders and soon, Charlie was opening the door that led to the main interior of Aries. The hallway that they were immediately placed in was large enough for two people side by side. It split off into three different paths, forward, left and right. “McCallister and I will take forward, Hunter and Eliot left, Garrison and Torres with the Doctors right. We’ll try to reconvene at the centre of the ship. Go.”
    Everybody pushed off and Charlie took her path first, McCallister following on the other side of the wall. The light from their torches lit the walls and floor, checking every possible space for rooms, doorways and alternate routes. They’d already come across two crossroads and had cleared both before keeping to their straight path directly to the centre of the ship. As they went they checked the rooms, finding offices and storage rooms. Everything about the simple design and small routes has military ship written all over them.
    It wasn’t long before they’d reached the mess hall that led straight to the bridge on the other side. Hunter and Eliot appeared behind them after a few minutes as she and McCallister checked the room for traps. The other four appeared, footsteps loud and careless in the empty ship.
    “Nothing,” Garrison said as he entered. “Nobody, no blood, nothing. Just a few blown fuses and busted wiring. Where’s the people that sent for help?”
    “Oxygen low my ass!” Hunter shouted as she paced the room.
    “Torres, Eliot, could somebody have faked the levels to an outside scan?”
    Both men looked at each other for a few seconds before offering her a shrug. Torres spoke. “It’s possible. But the actual temperature in a ship this old would need to be decreased for a lengthy amount of time.”
    Garrison nodded. “You can feel the chill in the air still. But somebody’s turned the temperature back up when we docked.”
    “So where is everybody?” Rhodes asked, voicing the question that had been on everybody’s mind.
    Charlie addressed her pilots, “Zach, Sokoloff. Run a heat signature scan of the ship. I want body heat signatures now.” Through their radios came silence, not the usual ‘Aye Captain’ that either of them would have said. “Zach! Sokoloff! Do you hear me?” Nothing.
    Then Aries shuddered violently, jerking everybody off their feet and onto their knees. “Fuck!” McCallister muttered before he pulled himself back up.
    There was the sound of metal straining and Charlie eyed the ships ceiling with worry. Then silence. The eerie silence made the hairs on the back of her neck stand up. It was too quiet, even by ship standards. Many a times Charlie had walked through the Valhalla and heard very little. But there was always a humming from the engine. Humming from the systems as they filtered the air. And even sometimes people still up, unable to sleep.
    But this? The only sounds to be heard were her crews stunted breathing. Nobody wanted to make too much sound. Nobody wanted to advertise that they were here. Nobody wanted the attention. Not a body. Not a drop of blood. A smear. Nothing. Nobody. But she could feel eyes on her. Watching her every step. Whatever it was, whoever it was, nobody wanted their attention. Just in case.
    "The fuck do you think happened?" Garrison. Ever the vocalist.
    Their radios buzzed and the ship juddered again, forcing them off their balance. Zach, still aboard the Valhalla was rushing through his words. "Sir, they jumped me. Dragged me out of the airlock and onto the Aries."

    Charlie's eyes went wide at the prospect. She moved through the mess hall to find the nearest view port and watched as their ship, her ship, started to push away from them. "Mother fuckers!" Hunter, her voice loud and angry, kicked at one of the wooden chairs and sent it flying.

Second Draft: 
    McCallister swung his head to the Captain. She nodded, opened the door and stepped across the small extended hallway first. McCallister followed with Rhodes falling behind him. At the other end he shared a look with O’Donnell. The Captain turned back down the corridor. “Torres! Get this door open!”
    The smaller man appeared and squeezed himself between the group of soldiers and the control panel. It took a total of forty nine seconds for him to pop the panel off and mess with the wires inside. The door opened and Torres was nodded to get back in line. Bands of red light filtered through and reflected themselves across the entire halls. Emergency lighting. The First Officer and Captain shared a look before she advanced first. The light on the end of her gun disappeared down the stairs to the right whilst he took the ones up to the top level.
    The hallway was big enough to fit two people side by side and this was the formation he took with Nelson by his side. Eliot brought up the rear whilst Hunter remained at the open airlock door, just in case. They passed a series of storage rooms and a quick check showed that they were locked. Standard policy. And they moved on. Small white clouds puffed themselves in front of him as he walked. It was cold. Very cold. He could feel the muscles in his fingers working against the biting chill.
    There came another hallway that stretched the width of the ship. He stopped on the other side of the opening and nodded to Nelson and Eliot to take a look. McCallister stood, the light fixed to his gun and his eyes trained on the path they’d just come and moved back to the path they were to keep going on. Being cautious kept them on their toes and alive. The Captain’s words were strummed into their minds to be second nature. Cautious.
    Two swinging beams of white traced haphazard paths along the walls and McCallister turned to see the two soldiers return. “Nothing,” Eliot said. “Just quarters.”
    He nodded. “Move forward.” In their two by one formation they got another ten feet before an opening to the right had them stopping. McCallister swung his gun around the corner first, let his light glide over the surfaces that made up the mess. Swaths of red bathed the room in an eerie gesture. After a momentary glance of satisfaction he stepped across the threshold. He listened to Nelson follow his steps, after which Eliot stepped into the room.
    Nothing. There was no blood. No body. No sign of any trouble but the pulsing red lights and the biting chill. “Zach, Soko,” McCallister spoke. “Where are the heat signals coming from?”
    “One on the lower level,” Zach said. “Got another few yards to your left. I’m guessing that’s the bridge.”
    “Copy that,” he said. He turned his gun to the opening on the left hand wall. “Nelson with me, Eliot search the mess.”
    “McCallister be aware we’ve found one survivor in Medical.” The Captain said. “Eliot I want you with Torres in engineering. Hunter keep an eye out. I’m on my way to the bridge.”
    A series of “Yes Captain,” filtered through the radios and McCallister remained on his path down the straight corridor that landed in the bridge. It was similar in style to that of Valhalla’s only it didn’t have the three seats in the middle of the room for the Captain, First and Second Officer. There was a short stretch of controls with just the one seat in the middle. The ship had been designed and built before two pilots became a recommended idea within ships. Slumped underneath this seat lay a figure. A head of black hair and a standard UNCTU uniform adorned the man’s frame.
    Nelson knelt by the man’s side and checked for a pulse. “He’s still alive but he’s cold.” A pause. “He’s suffered a head wound. I’m going to need to get him down to Medical.”
    McCallister nodded and conducted a quick sweep of the area before he stood next to Nelson. The Corporal commenced with pulling tools and contraptions out of his bag to perform a basic examination.
    “Hunter’s camera and radio just went down.” Zach’s word halted all movements in the room. Lieutenant and Corporal shared a look. Something in the air tingled with the knowledge that everybody else had frozen in shock. There were two heat signatures within Aries. Two. Camera’s had a habit of malfunctioning but radios didn’t.
    “Stay here,” McCallister whispered. He turned and with silent, quick steps rushed through to the mess.
    “There’s someone here,” and the distinct sound of a pistol clicking could be heard. Seconds later there was the sound of two thuds, along with a few groans, before feedback welcomed his ears. He stopped to remove the headpiece and let it hang around his neck. McCallister continued with more urgency. At the point between corridor and mess he twisted to the left. O’Donnell stood there, her gun trained on him. An instant later they turned and moved through the mess.
    Silence thrummed through the ship with enough tension to crack the ship into pieces. And just as quickly as everything had stopped before it stopped again. There was a thud. The two shared a curious look. A second a thud sounded and they snapped back into movement.
    The corner that led down and to the airlock was covered by McCallister as he peered around the edge. There were three slumped forms on the ground and he nodded his head to the Captain. She pushed herself to the corner and proceeded. She stepped over the slumped figures and crouched with her gun pointed towards the airlock. She gave a flick of her gun and he came to a crouch on the other side of the fallen bodies. Hunter, Zach and Sokoloff. Dumped like trash. “We left the airlock open right?”
    His eyes fixed themselves on the airlock door of Valhalla. Hunter was to stand guard at the open entrance of Aries’ just in case. But Valhalla was to remain open too. “Yeah.” Aries gave a violent shake that knocked him off balance. “Fuck,” he muttered before he pulled himself back up.
    The sound of metal straining was loud and the Captain stood and turned her head to the ceiling. Then silence. She turned her eyes to him and he frowned down at her. A sudden realisation came over her features and she turned to the airlock door. Then it hit him. Whoever had gotten onto the bridge of Valhalla was trying to pull away without disengaging the emergency docking. He followed her to the door and pulled it shut. Putting the emergency manual lock into place took a lot of strained effort between the pair of them, from its lack of use, and just as they managed to get the end of it into the slot the ship jerked them to the ground. A loud screech of metal scraping against metal let them know the door was fighting for release into space.
    They jumped to their feet and the strain was harder now that they were fighting the pull of the vacuum of space too. Muscles burnt from the contradiction of the cold air and the heat of being used. The screeching and resistance was loud and the ship rocked once more as the sound of Valhalla’s engines radiating against the exterior of Aries could be heard. They gave a final push on the door and collapsed against the walls of the ship with heavy pants. Nothing but their breathing filled the air.
    “What the fuck was that?” Nelson said.
    McCallister shared a look with O’Donnell and she managed an irritated expression around her panting. “That was somebody hijacking our ship.”
    “What about Zach, Hunter and Sokoloff?” Rhodes.
    “They’re with us,” the Captain said.
    McCallister moved and checked the pulses on their necks. “All alive. Just unconscious.”
    “Unconscious,” the Captain continued. “Give them a quick check when you get the chance. Eliot, Torres, getting this ship up and running again is top priority. Garrison come up to the airlock. We’ll move our people to Medical.”

Bit of a read but you can see that things are obviously changing - Dixon meets the crew much earlier then anticipated and it's a longer scene. Any and all opinions would be appreciated. 

Happy Writing.  

Tuesday 8 October 2013

NaNoWriMo

If you haven't heard people talking about then where have you been living? But seriously. National Novel Writing Month. It is 23 days away. Many writers are prepping for it. Many writers are busy scrawling away plans and ideas.

Whilst others sit there thinking. Pondering. Procrastinating or simply wondering.

Am I going to participate this year?

I haven't decided yet.

Currently there are three writing projects on my mind. Above this I have assignments to write, Uni to attend and friends and family to see. Not to mention eating and sleeping.

BUT

I am considering it. But this year I'm considering something different. Instead of me just going ahead with it and writing it, letting you guys know now and again how it's going.... I'm thinking I might upload my day to day writings for you all to see. Yeah. A first crappy draft novel as it's being written. Not many people get to see first draft novels of writers/authors.

But it might encourage me to finish it and get it done. Even if it is crap I can always edit it to be better. (That's what editing is for after all :P)

Are you going to enter? It's a lot of fun and know that you won't be the only one tearing your hair out and bashing your head against the wall.

Happy Writing.

Monday 7 October 2013

Voices

The natural voice. Natural speech.

You will have to write dialogue within your story. Unless you're that good that you don't need speech. But you will most likely involve some voice or dialogue. Now creating dialogue sounds easy right? Looks easy too?

It isn't.

For one: the conversation or banter has to flow. This means that it sounds like a conversation that could take place in front of you. If you walked into a room and walked in on two or three people exchanging a series of words between each other, would it sound natural or does it sound stilted and framed.

Stilted and framed speech. What I mean by this is that the words don't fit the characters. They've simply been put in to add information or to create a certain scenario or drama between a couple of characters. You could trawl many 'original' work websites where people have created their own original pieces of work. I guarantee you  that you will find many pieces where the speech is 'stilted and framed'. It has been deliberately written like that for a reason other than what the character would likely say.

Two: Making a back and forth series of lines sound well isn't rocket science but it also needs some serious thoughts put to it. Imagine the kind of character you have and how they're likely to respond to a scenario. Would they say something specifically or would they say something that sounds natural to them?

Three: Don't add 'umm' 'err' 'I- I- ... well-' There are many more examples of these and collectively they are known as signifiers of natural speech. These are the little false starts, repetitions and hesitations that you hear in everyday speech. "Well like... well you see...." Imagine seeing those kind of words at the start of every spoken sentence.

Natural speech is good. Too natural speak is bad. There is a middle line and a great way to get an idea for natural speech that draws on the middle line is TV. Listen to the characters. They never start with 'Umm' 'Errr' 'Ugh.' They never hesitate or repeat the first four words of a sentence properly unless it's done deliberately and to an effect. Using very natural speech for an effect is fine as long as it is kept on a brief level.

One way to get yourself used to writing natural speech with voices in mind is to imagine yourself having a conversation with one of your friends. Let's say there's some spat going on between you two. It could be anything. But imagine you were trying to mend the bridges. What would you say? What would they say? How would they say it? What would the reactions be?

Always read the speech in your head before and after you've written it down. If necessary read it aloud to yourself. Does sound natural? Does it sound like the character? Reading the lines again will often help you to see what is wrong with the line.

Happy Writing.

Thursday 3 October 2013

Crazy mind

At the moment, in  my head I have at least THREE ongoing creative projects. Well, technically all three of them are written down and being worked on/thought about every day. So yeah. They're not just in my mind, but they're things that are needed to be worked on a lot of the time. Not to mention the fourth one that's running through my mind.

Ugh.

And with books that need to be read. Essays that need to be planned. Classes that need attending. Volunteering I am determined to do. Writing that needs to be done for Uni. It's all getting a little crazy in my head.

Maybe that's why I'm ill. Shhh. 

I want to offer you guys a little tip.

Do not take on too much at one time. Seriously. It'll drive you crazy. If I don't come out of Uni with some sort of disease or mental illness I'll be surprised. Seriously.

Yeah. So. Take it easy. Don't take on too much at once and just relax and enjoy yourself.

Happy writing.

Wednesday 2 October 2013

A few books...

For Uni, having chosen to do an English joint Creative Writing course, I've had books to read. A many of them I am still getting through. For the first two years 99% of the 'required' reading I couldn't give two monkeys about. Why? Because they bored me and didn't interest me whatsoever. Far From The Madding Crowd. Therese Raquin. Mayor of Casterbridge. North and South. No. Never again.

This year however I am a happy bunny. You know how you have those old tale stories you've been meaning to read because of a number of reasons, being classics and origins for a lot of future stories. Or the ones that you've just never gotten around to since you were a kid. Yeah. Those are basically my books for this year.

So far I've read:

Alice in Wonderland.
Dr Jekyll and Mr Hyde.

What I have left to read:

Frankenstein. (Halfway through right now)
The Secret Garden (Read most of already)
Dracula.
Peter Pan.
Tom's Midnight Garden.
The Collector.
Wind in the Willows.
The Lion, the Witch and the Wardrobe.
Winnie The Pooh.

The reason why many of these I have failed to get around to until now is because I know the stories already. Or you know, they've made TV series or films about them. (Even if they are inaccurate films. Spoiler: Tweedle Dee and Tweedle Dum are not in Alice in Wonderland and neither is the JaberWocky. They both appear in Through the Looking Glass.) 

But after knowing the basics, after having seen them on TV in different versions, it becomes a point where I've asked myself, should I? There's all these other books that I don't know the story of that I could read first because I don't know them.

But these books are full of cool surprises and I am glad I chose the courses that I did. Just because you've seen the film does not mean you should not read the book. Seriously. Do it. You'll be surprised.

Happy Writing.

Creating Characters #2

Here: http://mediocrewriterrachel.blogspot.co.uk/2013/07/creating-characters.html I created a post about making 'realistic' or 'human' characters. The summary of what I said was: Think about how your character will act and how they're talking. Could you relate them to somebody you know? Then well done. Can you not? Can you imagine them as a human being with flaws and positives? Well done.

But I want to add a few more pointers to it.

One thing that every character needs is a problem. No matter how small this problem is it's a standard quality required in your character through the story. (Or it's a personal problem which affects the story. Whichever works for you.) How will your character react? What do they say in response to this problem? What can the character learn from her problem? (Or what can the reader learn?)

But if you don't have a problem for your character then they're not much of a character. Everybody right now, everybody you meet today or tomorrow, every person you pass on the streets or see on public transport, everybody will have a problem. There is no such thing as a character who has no problem. No such thing.

What usually comes skipping merrily behind this problem is a motivation that will drive your character to overcome or solve this problem. If your character encounters the problem and just goes on about their day like it was nothing then honestly? What the hell are you doing? Motivation gives rise to action. Action gives rise to more problems. Problems give rise to consequences. Consequences gives rise to more action. And so on.

Everybody has a motivation. (Unless they're just heartless, but even then there's a motivation of some kind.) No matter how small the motivation is there is always one.

Let's imagine a scenario:

Leo is a seventeen year old teenager. His problem? He's locked out of the house and wants to get inside but nobody's home. His motivation? It's the middle of December and it's cold.

Simple.

It's not rocket science. But because he has a problem and a motivation he will have an action. This action could lead him anywhere, it is down to you as a writer. But:

Problem = Motivation = Action

Happy Writing.